Byzantine Studies Symposium, Knowing Bodies, Passionate Souls: Sense Perceptions in Byzantium

Medieval Art Research

Smell 3“Knowing Bodies, Passionate Souls: Sense Perceptions in Byzantium”
Byzantine Studies Symposium | April 25-27, 2014
Symposiarchs: Susan Ashbrook Harvey, Brown University and Margaret Mullett, Dumbarton Oaks.
Byzantine culture was notably attuned to a cosmos of multiple domains:  material, immaterial; bodily, intellectual, physical, spiritual; human, divine. Despite a prevailing discourse to the contrary, the Byzantine world found its bridges between domains most often in sensory modes of awareness. These different domains were concretely perceptible; further, they were encountered daily amidst the mundane no less than the exalted. Icons, incense, music, sacred architecture, ritual activity; saints, imperial families, persons at prayer; hymnography, ascetical or mystical literature:  in all of its cultural expressions, the Byzantines excelled in highlighting the intersections between human and divine realms through sensory engagement (whether positive or negative).

Byzantinists have been slow to look at the operations of the senses in Byzantium, especially those of seeing, its relation to the…

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Newfoundland Soundwalk

Soundwalking Interactions

Une version française de ce texte se trouve ici

In September 2013, Andra McCartney was invited to be keynote presenter at the Expanding Ecomusicologies symposium at the Centre for Music, Media and Place at Memorial University in St. John’s Newfoundland. She led a soundwalk, consisting of two movements: first, a twenty-minute group walk along the campus’ grass, gravel and marshy paths; and second, a thirty-minute walk where listeners were encouraged to move through a market (and surrounding area) in smaller clusters. Both parts of the soundwalk were followed by a discussion.

As Andra discussed with the group after the second part of the walk, this particular method for soundwalking was developed while preparing for another walk at a market in Hamilton, ON. In the lead-up to the latter, Andra received a letter from one of the market’s vendors addressing how he perceived the practice of soundwalking to be bourgeois, and…

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[CFP] Fifth International Symposium on Music/Sonic Art: Practices and Theories

bodies|sounds|technologies

26-29 June, 2014
Hochschule für Musik, Karlsruhe –
Institut für Musikwissenschaft und Musikinformatik (IMWI)
Am Schloss Gottesaue 7, 76131 Karlsruhe, Germany

Keynote speaker: Rolf Inge Godøy (University of Oslo)

We are pleased to announce the Fifth International Symposium on Music and Sonic Art: Practices and Theories (MuSA 2014), an interdisciplinary event to be held in Karlsruhe, Germany at the Institut für Musikwissenschaft und Musikinformatik (IMWI). MuSA 2014 is also supported by Middlesex University, London.

Proposals for sessions and individual papers for the Fifth International Symposium on Music and Sonic Art: Practices and Theories are invited from academics, independent researchers, practitioners and post-graduate students. Presentation formats include academic research papers (20 minutes + 10 minutes for discussion); reports on practice-based/artistic research or educational programmes (20 minutes + 10 minutes for discussion); and workshops and panel sessions (30 minutes + 15 minutes for discussion). The Symposium committee encourages presentations in which…

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Sunday Review: New York Brass Arts Trio, Feats of Brass

James Boldin's Horn World

This week’s review will take a closer look at Feats of Brass, a fantastic new recording on Arabesque Records by the New York Brass Arts Trio. The ensemble is composed of nybrasstriothree world class musicians, David Jolley (horn), Joseph Burgstaller (trumpet), and Haim Avitsur (trombone). The performers themselves don’t really need any introduction, so this review will instead focus on the recording itself. I got my hands on this album in an unconventional way. While searching for brass trio arrangements online, I came across the group’s promo video. I immediately liked the arrangements, and contacted Mr. Jolley to see if they were available to purchase. Despite what must be an intensely busy performing and teaching schedule, Mr. Jolley was gracious enough to correspond with me. I ended up buying two of his arrangements from the album, Bartok’s Romanian Folk Dances, and the Chaconne from J.S. Bach’s Partita in…

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As the Seedling Goes…

Poor Man's Wordsworth

As the seedling goes,
So goes the wellspring of
Bounteous hopes;
Once a scant thought encapsulated
By the shell of uninterrupted possibilities,
A stalk solidifies and sheds its skin,
And images awaken from repose.
Tomorrow a garden bears her sundry fruits,
Hearkening to a season that flows through the lips
And to the center of every expectant heart.

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Virgin Mary with Child

Fine Art by Ileana Patriche

Hand painted icon on glass, by Byzantine influence.

My interpretation of the style revolves around dynamic, complementary colors, meant to express the Holy Mother’s joy of holding Baby Jesus.

Acrylic colors on Gold leaf background.

This icon is currently available for sale, so don’t hesitate to Contact me for details, whether you are interested in this particular artwork, or a customized version of it!

cIMG_1440

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